Spring 2008 Indie Film Fest
Showtimes are at 4:00pm and 7:30pm each day at Cherrydale Cinemas in Greenville, SC. Tickets are $9 per adult.
Cherrydale Cinemas
3221 North Pleasantburg Drive
Greenville, SC 29609
(864) 370-9166
Map & Directions
I’M NOT THEREMarch 4, 5 and 6 at 4:00pm and 7:30pm
Todd Haynes (Velvet Goldmine, Far From Heaven) delivers this dazzling, experimental take on the life of popular music’s most revered and enigmatic artist: Bob Dylan. In keeping with the impossible-to-pin-down nature of Dylan himself, Haynes chose to cast six different actors to portray several incarnations of the groundbreaking troubadour. The result is a challenging, sprawling work that spans several decades and genres. Woody (Marcus Carl Franklin) is a young black child with a folk music obsession; Jack Rollins (Christian Bale) is an upstart folksinger whose protest songs have ignited an entire generation; Arthur (Ben Wishaw) is a Rimbaud-esque figure who has begun to embrace a new form of lyrical poetry; Robbie (Heath Ledger) is a well-known actor whose marriage to the lovely Claire (Charlotte Gainsbourg) crumbles under the weight of his lifestyle; Billy (Richard Gere) is a slippery frontiersman who echoes Dylan’s infatuation with the Old West and American folklore; and, finally, there is the substance-abusing, confrontational Jude (Cate Blanchett), who represents Dylan in the turbulent mid-1960s. Much in the same way that Dylan appropriated a vast array of musical styles to create his own vernacular, Haynes does the same thing with I’m Not There, using his expansive knowledge of movie history to pay homage to a variety of movements and genres (Godard, Fellini, Lester, etc.). The typically extraordinary cinematographer Edward Lachman outdoes even himself this time around, incorporating so many different visual styles that it’s impossible to decide which is the most beautiful. While the cast all fare well in their roles, it is Cate Blanchett who runs away with the picture, proving once again that she is one of the finest actors the movies have ever seen. (Plot synopsis courtesy of Rotten Tomatoes.)
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THE SAVAGESMarch 11, 12 and 13 at 4:00pm and 7:30 pm
Director Tamara Jenkins made audiences sit for nearly a decade for her follow-up to the hilarious dark comedy Slums Of Beverly Hills, but it’s been worth the wait. Like her previous film, The Savages is a sometimes-funny, sometimes-sad look at family dynamics, but this time around the sense of humor is more wry than riotous. Laura Linney and Philip Seymour Hoffman play Wendy and Jon Savage, a pair of siblings on the cusp of middle age. She’s earning money in New York City as a temp as she writes an autobiographical play about their childhood, while he lives in Buffalo, teaching college and finishing a book on Bertolt Brecht. Their estranged father (Philip Bosco) lives across the country, but the Savages reluctantly rush to see him when they learn that he may not be able to take care of himself any longer. Jon and Wendy bicker over problems old and new as they try to figure out what’s best for a man they barely know. Like Noah Baumbach in The Squid And The Whale and Margot At The Wedding, writer-director Jenkins knows how to mine family dysfunction for both comedy and drama. Jon and Wendy tear into each other as only people connected by blood can, but their fighting feels entirely genuine, largely thanks to the performances of Linney and Hoffman. Though they’ll get most of the buzz for their roles, character actor Bosco is heartbreaking as their aging father. Though his decline is difficult to watch, the actor’s performance is absolutely mesmerizing (Plot synopsis courtesy of Rotten Tomatoes) View Trailer
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MONGOLMarch 18, 19, 20 at 4:00pm and 7:30 pm each day
Award-winning Russian filmmaker Sergei Bodrov (Prisoner Of The Mountains) illuminates the life and legend of Genghis Khan in his stunning historical epic, Mongol. Based on leading scholarly accounts and written by Bodrov and Arif Aliyev, Mongol delves into the dramatic and harrowing early years of the ruler who was born as Temudgin in 1162. As it follows Temudgin from his perilous childhood to the battle that sealed his destiny, the film paints a multidimensional portrait of the future conqueror, revealing him not as the evil brute of hoary stereotype, but as an inspiring, fearless and visionary leader. Mongol shows us the making of an extraordinary man, and the foundation on which so much of his greatness rested: his relationship with his wife, Borte, his lifelong love and most trusted advisor. Filmed in the very lands that gave birth to Genghis Khan, Mongol transports us back to a distant and exotic period in world history; to a nomad’s landscape of endless space, climatic extremes and ever-present danger. In a performance of powerful stillness and subtlety, celebrated young Japanese actor Asano Tadanobu (Zatoichi, Last Life In The Universe) captures the inner fire that enabled a hunted boy to become a legendary conqueror. Asano’s achievement is matched by those of his co-stars, including the radiant newcomer Khulan Chuluun as Temudgin’s courageous, spirited wife Borte, and the Chinese actor Honglei Sun (The Road Home) as the Mongol chieftain Jamukha, Temudgin’s dearest friend and deadliest enemy. Masterfully blending action and emotion against some of the most arresting terrain on earth, Bodrov delivers an exciting and awe-inspiring tale of survival and triumph, and a love story for the ages. (Plot synopsis courtesy of Rotten Tomatoes) Mongol has been nominated for the Academy Award for Best Foreign Language Film, AND we will be showing it BEFORE its theatrical release, so you can be among the first to see this stunning film. View Trailer
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MARGOT AT THE WEDDINGMarch 25, 26 and 27 at 4:00pm and 7:30pm each day
Writer-director Noah Baumbach follows up his Oscar-nominated The Squid And The Whale with another bitingly funny and painfully honest dissection of family life. This time around, the topic is sisterhood. Margot (Nicole Kidman) and her adolescent son Claude (Zane Pais) take a train from New York City to Long Island, where Margot’s sister Pauline (Jennifer Jason Leigh) is about to get married to Malcolm (Jack Black). Even though Margot is a successful writer with a compassionate husband (John Turturro), she is repressed, bitter, insecure, and angry, and she takes out her frustrations on anyone and everyone around her. Pauline is initially happy that her sister has decided to come to the wedding, but she quickly realizes that Margot is still her terrible old self. Over the course of a few days, past conflicts erupt and present conflicts explode, threatening not only to put a damper on the wedding, but to ruin it completely. Baumbach’s gift for dialogue is unmatched. His seemingly effortless ability to blend humor with seriousness makes it difficult to categorize Margot At The Wedding as a drama or a comedy, for it is both. Kidman proves that her Academy Award wasn’t a fluke, delivering a fearless performance that is at times difficult to watch in its virulence. Baumbach’s wife, Leigh, is her typically exceptional self, but it’s Black who is the film’s true revelation, playing it straight like never before, to heartbreaking effect. Featuring stark naturalistic photography by the great Harris Savides (Gerry, Zodiac), Margot At The Wedding is another major accomplishment from Baumbach. (Plot synopsis courtesy of Rotten Tomatoes) View Trailer
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